Archive for February 17th, 2009

In one of my earliest posts I had given an anecdote on Matisse. A woman acquaintance of the artist called on him and after looking at the finished work she observed that he made her arm too long. She relied on her eyes. Whereas he had presented as what she represented to him. Both relied on their subjective feelings. At a moral plane of Truth there must be a common centre to which the sitter, the artist and the woman were trying to rest their conclusions as to their reality. The sitter has an opinion of herself and so has the viewer whether it is her portrait or the real. With such differing viewpoints is it necessary for Matisse to represent his sitter in any other way than what she represents to him?

How does the artist make his perception clear to others? He would probe beneath her physical appearance and place her on two dimensional plane: he delineates a higher truth in terms of line, color, texture and composition. Had it been her exact copy that was intended an artist might as well relied on photography for the purpose. An artist destroys the illusion of physical reality which is ephemeral so he may bring out the inner reality as perceived by him. A Scientist who from evidences arrive at a theory is in search of truth. An artist merely uses the two dimensional plane to describe a mood that whether it a live model or a landscape transcends the visual symbols he employs. There is an inner logic and truth which is outside the reality he is looking at.



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