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Archive for the ‘illustrations’ Category

Big Horn-pen

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pelikaan in flight

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This sketch is among three which I did today. Here is Virgin Mary in the house of Elizabeth who having received her cousin is back to her chores. Here she is watching while her help does the washing. You can see the courtyard and service yard.

Mary cries “Holy is his Name”  It is part of Bible Truths in pictures

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Marginalia, a concise guide to the Bible in two volumes in paperback and Kindle available through Amazon.com

Author: Benny Thomas

The book is the result of the author’s spiritual experience of 70+ years.

How this book can help a Bible Student?

Marginalia helps the reader bear in mind the person and deity of Jesus Christ as holding the centre of gravity of the divine Will so everything else in the Scriptural narrative falls in place as one unified whole. It helps him from being distracted by sideshows which are but a shadow. This makes the role of the Spirit very vital in order to get the best out of the Bible. We have the testimony of Jesus of the role of the Spirit. “He shall glorify me: for he shall receive of mine, and shall shew it unto you (Jn.16: 14)”.

When we speak Father of lights what does that mean? The light of the Son shall have quality of life which is the light of life (Jn.8:12). Similarly Holy Spirit as Inspiration of God instructs each believer into righteousness. He  throws light so the reader can be helped into spirit of truth. His is laser light with which he glorifies role of the Son in the Scripture. The thrust of Marginalia therefore is to throw light on the Bible consequently as from laser than with an ordinary flashlight. In literal interpretation there is a danger of following incoherent light and the number of heresies still current owe to such misreading of the Scripture. With laser light of the Spirit it is hoped that this concise guide shall reveal to the reader the role of Jesus Christ as fulfillment of the Will and the Way to lead them to the rest that God himself has entered.

Finally the author’s faith-based approach is to show the inerrancy of the Bible (1Co.2: 5).

 

Marginalia, a concise guide to the Bible puts up guideposts so a student can safely navigate through the entire Scripture effortlessly. This serves as a Bible Study Help and not a substitute for the word of God.

Vol.1 148 pages  priced $7.00

Vol-2  265 pages   $14.25

e-books/kindle available priced  vol. 1

120 pages $3.85 vol-2 200 pages $5.06  Amazon/Kobo/Barnes&Noble/google play, Apple i-book etc.,

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img_3689For text, please visit my blog: Guide to His Word

watercolor on art paper

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(1883-1924) Czech

writer

Kafka was born into a middle-class, German-speaking Jewish family in Prague, the capital of the Kingdom of Bohemia, then part of the Austro-Hungarian Empire. He trained as a lawyer, and after completing his legal education he was employed with an insurance company, forcing him to relegate writing to his spare time. Over the course of his life, Kafka wrote hundreds of letters to family and close friends, including his father, with whom he had a strained and formal relationship. He died in 1924 at the age of 40 from tuberculosis.

In order to understand Kafka I shall do well to include a quote from his diary and an anecdote. The significant diary entry from August 1916: “My penchant for portraying my dreamlike inner life has rendered everything else inconsequential; my life has atrophied terribly, and does not stop atrophying.”

When Kafka was reading aloud the opening pages of The Trial before a group of Prague friends but laughed so much that he had to stop at intervals, while his listeners also laughed “uncontrollably,” despite what his friend Max Brod described as “the terrible gravity of this chapter.”

He complained often of being a martyr to his art, a self -realization that speaks of his sharp intellect but his irony in the face of the tragic fate of his protagonist, to burst out into laughter, sets the relevance of literature in his case as a nervous twitch set off by inanity of his times and his ideals. Literature has thus served her votaries each after its fashion. Everyday life about Kafka was giving way

as the father-figure you revered sliding into senescence and certainties about the hearth sounding false as the unfortunate masses of migrants you see on your screen daily shuffling about in the streets. Europe coming to terms with itself in a post-world war was all too real and as it were hell itself.

‘His conception of himself as tormented artist is allied closely to his view of his predicament as a man struggling to maintain his health and sanity in the face of an unrelentingly inhospitable world. In the annals of lamentation, from Job and Jeremiah to Beckett’s Unnamable, surely no one has devoted himself to the sustained moan with such dedication, energy, and exquisite finesse as the author of the “The Judgment” and the “Letter to His Father,” of the diaries, and of the correspondence with Felice Bauer and his lover Milena Jesenská, as well as his friend Max Brod’.1

Consider the prose fragment “The Great Wall of China.” The piece focuses not on the emperor on whose orders the wall was constructed, but on the construction itself, which was built “not as a single entity but rather in individual sections far apart from one another,” No one apart from those in the top command can say with any certainty how far the construction has progressed; it is not even clear whether the wall will really have all the gaps filled in when the work is done. It is never completed, and remains a fragment made up of fragments.

His journey into the self was a fragment made up of fragments and when a cry breaks out, no one shall know whether out of helplessness or of joy it assails us and prepares for similar surprises to come if the reader only persists enough. That fragmentary aspect, a student in literature in retrospect may accept or be dismissive about, but has despite of Kafka’s irony become a literary term –Kafkesque.

Quote: : “I am made of literature; I am nothing else and cannot be anything else.”

1. Brod, though mistaken in some things—his representation of Kafka as a religious writer, for instance—was ever commonsensical. He largely had the measure of his friend, and even after Kafka had been diagnosed with tuberculosis did not hesitate to write to him with a flat rebuke: “You are happy in your unhappiness.”

(A Different Kafka- John Banville/NYT Oct.23,2013)

 

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