The above still shows Renoir’s style to give spatial depth by which the interaction of characters add to the drama. Free grouping in space ( simultaeneously foreground and background groups or single character in relaton to the others). Such staging allows interaction between foreground and actions on the background. In this scene where Octave brings airmen Jurieu for the weekend at La Coliniere there is a painful silence. The guests are aware of the gossip linking the dashing airman to the Marquise who bravely tries to explain her part in making Jurieu a national hero. In the backdrop we see the nervous Marquis Robert who knows the truth and is apprehensive if his wife would be able to pull it off.
Camera by continuously tracking, panning, re-framing allows Renoir to compose the shots in terms of time and movement. Renoir and Bunuel are two directors that I can think of who prefers mid-shots to close-ups. Closeups and point-of-view shots are rare.