ANANDA K. COOMARASWAMY (Sri Lankan) (1871 – 1947)
Art historian.
The pioneer historian of Indian art and foremost interpreter of Indian culture was born in Colombo, Sri Lanka, of mixed Sinhalese and British parentage. He was educated at Wycliffe College and the University of London where he earned a doctorate in geology. He was named as the director of mineral surveys of the then Ceylon in 1903 but soon transferred his interests to the arts of Ceylon and India. In 1910-1911 he was put in charge of the art section of the Great United Provinces Exhibition in Allahabad, India. Six years later when the Dennison W.Ross collection was donated to the Museum of Fine Arts, Boston, Coomaraswamy was appointed as the Fellow for research in Indian, Persian and Muslim Art a post that he held until his death. He enhanced the Museum’s Indian collections but was primarily concerned with scholarship and contributed extensively to learned journals throughout the world. He was concerned with the meaning of a work of art within a traditional culture and examining the religious and philosophical beliefs that determine the origin and evolution of a particular artistic style. A careful scholar, he also established an art historical framework for the study of the development of Indian Art. His publications ranged over Indian music, dance, Vedic literature and philosophy as well as art. He also contributed to Islamic and Far Eastern studies. Coomaraswamy’s definitive ‘Catalogues of the Indian Collections’ in the Museum of Fine Arts, Boston was published in five volumes during 1923-’30. The ‘History of Indian and Indonesian Art’ (1927) remains the standard text in the field. The ‘Transformation of Nature in Art’ (1934), ‘The Figures of Speech’ and ‘The Figures of Thought’ (1946) are collections of essays expressing his views on the relationship of art to life, traditional art and the ideological parallels between the arts of the East and the Pre-Renaissance West.
compiler: benny